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Sunday 31 July 2022

Women wearing trousers

I thought I had posted this excerpt from my Not Your Usual Australian Villains, but apparently not, because somebody posted a related short article on FB, and I went looking for this rather more detailed exploration. Hey ho, here it is, and as you can say, some of my 'villains' weren't that evil:

———

Was it ever against the law for women to wear trousers? The answer is “probably not”, even if we know of at least one convict who was wearing male clothes when she was arrested.

That was the lady you can see on the Australian $20 note, Mary Haydock, later Mary Reibey, who was convicted of horse theft in Britain in 1790, but what horse thieves did, the ladies of the upper classes in England did as well, soon after. Up until 1820, London women could attend debates in Parliament, but then they were almost excluded from the House of Commons and entirely barred from the House of Lords. Some of them found their way around this, said The Sydney Gazette and New South Wales Advertiser:

Curiosity has, however, sometimes defeated this selfish order; and, in the disguise of male attire, many ladies of respectable rank in life, have for whole nights enjoyed the pleasure which, in former times, was to be derived from the animated debates of this enlightened body. [i]

When Sarah Webb joined her husband William in an 1826 robbery (which probably entitles her to be called the first woman bushranger), she wore men’s clothes. Then there was Margaret Donnally, a convict who absconded in male attire in 1827, and got six months in the female factory for doing so. It may be worth noting, before reading the following, that in those days, trousers and breeches were commonly coyly referred to as “inexpressibles”.

It is no new thing for ladies to assume the breeches when they would escape from servitude and throw off its yoke: moreover it is oftentimes a very successful plan. Now Margaret Donnally, not liking a far-away up-country life, determined to try this plan; Achilles’ petticoats thought she, are upon record, why not Margaret Donnally’s inexpressibles. [ii]

Given that she was arrested heading for Sydney, it is likely Donnally’s offence was going AWOL, rather than cross-dressing. An unapproved bid for freedom was probably also behind the charge levelled at an unnamed servant girl who was caught, out and about in men’s clothes, in 1829. Here is how it played out, according to The Australian:

An assigned female servant to Mr. Shaughnessy, undertaker, was charged with absenting herself from her master’s service. The girl had indulged herself in a freak which ended in a watch-house. A constable who was induced to take a ramble in the domain, to enjoy a little fresh air, happened to come full butt when turning a corner, unexpectedly with the frail one. Her appearance at once denoted her to be worth a salute. Good morning, says the man — but oh what a silence — what a pause. The woman knew the man, but he just then did not know his customer. A little time however sufficed to make them close acquaintances — a feminine tone of voice discovered to the prying notice of the constable that under the assumed male attire there was something of frail woman. She was walked off to a watch-house. Mr. Jilks, the chief constable, was immediately sent for, and to him was assigned the privilege of making an enquiry into the matter. [iii]

The woman confessed that she was in disguise, and had left her master’s home, using her disguise to avoid detection. She was sentenced to one month in the Female Factory. Incidentally, Sarah Webb was not the only woman to go bushranging, as two others were mentioned in the same paper in 1835:

The bushrangers are still at large about the Liverpool Road They have been seen within the last two days by one or two persons in that neighbourhood, and are reported to be partially armed; the two men with two women in male attire, were last heard of as having taken up their quarters at a place called Rocky Point, down towards George’s River. [iv]

Clearly, there was a sense that these women in trousers were up to no good in some way, and it was probably her trousers which drew Sergeant Toole’s attention to Mary-Ann Grenaine in 1851. There was no such offence as being drunk in charge of trousers, but Toole was clearly not impressed with what Empire called “a little undersized, pug-nosed creature, about sixteen years of age”.

Instead, she was charged with drunkenness and disorderly conduct in York-street, on the morning of Friday 14 November. She was in male attire the paper said: not exactly the ‘bloomer’ costume that was then exciting people in Philadelphia, but arrayed in blue jacket and trousers, with a neat little oilskin hat upon her head.

He found the prisoner drunk outside Mr. Entwistle’s Hotel, in York Street, where she “was dancing the sailor’s hornpipe to the great enjoyment of the mob”. He knew where she got the clothes, said a report in Empire:

… a person named Geddes, had called at the female watch-house about the clothes in which the prisoner was dressed, and it appeared that Geddes had slept during the previous night with the prisoner, who arose very early on Friday morning, while Geddes was snoring, dressed herself in his clothes, and left her gown, bustle, petticoats, &c. [v]

The prisoner pleaded with the magistrate to let her off, so she could return the clothes, which she had only taken for a joke. The Police Magistrate ordered her to post bonds for her good behaviour for six months, one of £10 from herself, and two sureties of £5 each, or be imprisoned fourteen days.

On the other hand, “Harriette Walters” was apparently a virtuous young woman who adopted male garb to avoid unwanted attention as she waited for her husband to arrive in Australia, according to Ellen Lacy. Mrs Lacy was neither a chronicler nor a historian, rather, she was a writer of almost factual fiction, and she made it clear that Harriette’s name was something else, but insisted that the story itself was true.

The circumstances are easily told: Harriette and her husband were ready to sail for Australia, but Harriette stayed behind to care for a dying relative, who was expected to last for some months. Their plan was that after the relative died, she would follow her husband to Australia, but almost as soon as her husband’s ship left the wharf, the relative died.

Harriette finalised the relative’s affairs, hurried to the docks, but missed her husband’s ship, and then by chance, found a faster passage — something that could happen in the days of sail. She reached Melbourne before him, so she was alone in a strange and expensive city. It was not a good place, said Mrs Clacy, for any female to be without a protector.

… even the family with whom she had come out, had gone many miles up the country. She possessed little money, lodgings and food were at an awful price, and employment for a female, except of a rough sort, was not easily procured. [vi]

Harriette had a slight figure, so she adopted the usual colonial costume worn by men: loose trousers, a full, blue serge shirt, fastened round the waist by a leather belt, and a wide-awake hat, which was a broad-brimmed felt hat. Pretending to be a young lad, just arrived from England, she found light work near the wharf, and was there for about three weeks at a salary of a pound a week with board thrown in, along with permission to sleep in an old tumble-down shed beside the store.

When her husband arrived, he did not recognise her at first in her unexpected clothes, and when he said he was bound for the Bendigo diggings, she put her foot down. There would be no further separation, and while the others in their party knew her secret, she remained dressed as a boy until their arrival at Bendigo.

There were quote marks in the 1851 reference to the ‘bloomer’ costume in Mary-Ann Grenaine’s trial. The quotation marks tell us the idea was new then, but by 1860, the Bloomer revolution was old news. Here, Emma Macpherson is writing of the floods that used to roar through Melbourne:

… at the time of my visiting it, the gentlemen had pretty generally adopted the fashion of high waterproof boots, by the aid of which and by washing them at intervals in these flowing rivers, they walked about the streets in tolerable comfort; but as this fashion had not extended to the ladies, the condition presented by their long flowing dresses was pitiable in the extreme; I really think they will have eventually to adopt the Bloomer costume, which, if allowable under any circumstances, would certainly be so there, for the purpose of traversing these terrible quagmires. [vii]

Her point, when you come down to it, is that clothing needs, above all, to be practical. Sour, grumpy old men might object to women in trousers and mutter about the Monstrous Regiment of Women, but in time, practicality would win out, and later generations would wonder why their ancestors had been so upset.

No fashion is ever entirely wrong, even the crinoline, which used up public space rather savagely. The evidence in its favour comes from Elizabeth Ramsay-Laye, who missed her footing as she went to step into a boat, and was saved by her crinoline:

I had but to walk across a fallen trunk which projected over the bank, to get into the boat, when, depending for support too much on a branch overhead, it gave way, and in an instant I was floating in deep water down the stream, my crinoline acting as a life-preserver; for up it went with my dress, like a balloon, presenting, I have no doubt, a most ludicrous appearance. My friend immediately pushed off to my assistance, caught my arms, and told me to jump into the boat, which I easily accomplished, my petticoat aiding me in the most extraordinary manner. Although I had been up to my waist in water and my under-garments were saturated, my dress was scarcely wet, owing I suppose, to the same friendly but much-abused crinoline! [viii]

For the most part, the crinoline was an impractical garment, especially at colonial sporting events which were often a bit on the raucous side. At the Copenhagen Ground in Ballarat in the summer of 1862, one of the events for men was a wheelbarrow race in which the competitors pushed ordinary wheelbarrows while blindfolded. With the exception of the winner, William Brown, the field scattered, and some of them collided with each other, while others hit the fence or the grandstand, and one was wounded when he ran into the dancing platform.

Obviously, no woman could have taken part in the wheelbarrow race in a crinoline. Still, two of them thought they could try running, said the Ballarat Star:

About three o’clock an amusing incident occurred on the ground, being no less than a 100 yards race between a lady from Ballarat and another resident in Buninyong, and, as may be imagined, the affair caused much merriment. The crinolines of this pair of pedestrians, however, somewhat retarded their speed, and before they had got fifty yards they gave the matter up in despair, one especially in consequence of her obesity being considerably “blown.” [ix]

All the same, women must have occasionally worn male clothing in bush areas. The naturalist, artist and writer Louisa Atkinson apparently caused an unspecified stir among the ladies of Kurrajong when she was wandering the bush in the 1860s, and that almost certainly means she was wearing trousers. Luckily, her Good Works in other directions effectively muzzled the venomous mouths of the vicious old biddies.

I think I can see some of Henry Lawson’s prose style in Atkinson’s writing. He was only five when she died, and by the time he was being published, Lawson could be matter-of-fact about cross-dressing in cases of need, as we can see in The Drover’s Wife, published in 1892:

The rain will make the grass grow, and this reminds her how she fought a bush-fire once while her husband was away. The grass was long, and very dry, and the fire threatened to burn her out. She put on an old pair of her husband’s trousers and beat out the flames with a green bough, till great drops of sooty perspiration stood out on her forehead and ran in streaks down her blackened arms. The sight of his mother in trousers greatly amused Tommy, who worked like a little hero by her side, but the terrified baby howled lustily for his “mummy.” [x]

Ten years later, when Lawson wrote a prose version of his ballad The Fire at Ross’s Farm, it was still daring to cross-dress in public. In the story, Old Watt was a squatter, Ross was a selector on Watt’s run, and they were therefore enemies. Mary Watt grew fond of Bob Ross, the selector’s son, but she declared that she would never marry. Then came a bushfire at Christmas, threatening the selector’s 10 acres of wheat. Mary asked her father to help Ross, he refused, so she rode off, against his orders, to help.

Mary saw Ross and Mrs Ross and the daughter Jenny, well up the siding above the fence, working desperately, running to and fro, and beating out the fire with green boughs. Mary left her horse, ran into the hut, and looked hurriedly round for something to wear in place of her riding-skirt. She only saw a couple of light print dresses. She stepped into a skillion room, which happened to be Bob’s room, and there caught sight of a pair of trousers and a coat hanging on the wall.

Bob Ross, beating desperately along a line of fire that curved down-hill to his right, and half-choked and blinded with the smoke, almost stumbled against a figure which was too tall to be his father.

“Why! who’s that?” he gasped.

“It’s only me, Bob,” said Mary, and she lifted her bough again.

Bob stared. He was so astonished that he almost forgot the fire and the wheat. Bob was not thin — but — —

“Don’t look at me, Bob!” said Mary, hurriedly. “We’re going to be married, so it doesn’t matter. Let us save the wheat.”

In the morality of the time, as he had seen her in men’s clothing, they must wed, but when her father and his men rode in to help fight the fire, she fled back to the house to change, before her father or his men saw her. The fire was beaten, and Lawson’s tale ended with a merry Christmas had by all.

… in after years they used to nearly chaff the life out of Mary. “You were in a great hurry to put on the breeches, weren’t you, Mary?” “Bob’s best Sunday-go-meetin’s, too, wasn’t they, Mary?” “Rather tight fit, wasn’t they, Mary?” “Couldn’t get ‘em on now, could you, Mary?”

“But,” reflected old Peter apart to some cronies, “it ain’t every young chap as gits an idea of the shape of his wife afore he marries her — is it? An’ that’s sayin’ somethin’.”

And old Peter was set down as being an innercent sort of ole cove. [xi]

Before 1900, most Australians bathed naked, but in a secluded place, and unless bathing as a family, they were segregated by sex, because being seen naked by the opposite sex was “indecent”. Here, Miles Franklin describes how, on a hot day, she and a number of girl visitors “… went for bogeys in a part of the river two miles distant…”

Aunt Helen always accompanied us on our bathing expeditions to keep us in check. She was the only one who bothered with a bathing-dress. The rest of us reefed off our clothing, in our hurry sending buttons in all directions, and plunged into the pleasant water. [xii]

Over time, swimming costumes were introduced, and both public and mixed bathing were allowed. We will return to bathing later, but what might be allowed on the beach remained indecent elsewhere. Then in 1928, women began to wear trousers, away from the shore, said the Hobart Mercury:

I hear that at George’s mannequin parade to-day the smoking suits invariably consisted of black satin trousers and embroidered sac coats. My informant tells me they are extremely becoming to women with straight legs, and that the only problem was whether ordinary straight bags or a sort of glorified semi-slacks were to be preferred. [xiii]

By 1930, women were engaged in active sport, and something had to give, said the Adelaide Advertiser.

Women have definitely taken to slacks and shirts for strenuous outdoor sport, and apparently Adelaide has not even been mildly shocked. [xiv]

What passed muster in the Antipodes could still shock Britons, though. Miss Yvonne Henry, of Haywards Heath (Sussex), lost her job in a chemist’s shop because she went to a dance wearing trousers instead of a skirt. Her employer had given her a pay rise before she went on holidays during 1931, but then a photo of the offending pants appeared in the press, and even the Adelaide Advertiser heard of what happened next.

Miss Henry was delighted, but the chemist happened to see the newspaper report and he wrote her a note in which, according to her mother, he said that her appearance in public wearing trousers offended against his religious principles and her services would no longer be required. [xv]

In 1932, Mrs Lucius Connolly, formerly Miss Jennie Falkiner, a prominent socialite from a pastoral family, returned to Australia after 16 months driving from Durban to Cairo and told her story to the Perth Daily News.

During her trip she wore riding breeches, or khaki slacks in hotter weather, and shirt. Shorts she avoided because of insect bites. They are very rarely worn in Africa. In the smartest hotels in Kenya and Tanganyika she was surprised to see women usually dressed in slacks and brilliant colored shirts, and very wide terai hats. Her own wardrobe for the trip included, besides her travelling kit, two tennis frocks, a skirt, and jumper, and a black lace evening frock. [xvi]

In 1933, Marlene Dietrich told the world she wore men’s clothing because it was comfortable, she looked better in those clothes, and “…it takes too much time; money, and trouble to be a well-dressed woman.” Soon other stars were, may I say it, following suit, and Greta Garbo, Joan Crawford and Carole Lombard were all doing it. [xvii]

By 1933, some women golfers were wearing “…a man’s orthodox grey flannel slacks to take part in the game” [xviii], but lawn tennis associations were concerned about men and women wearing shorts to play tennis. Women cricketers argued that the pads worn when batting or keeping wicket did not work with skirts, that they needed trousers.

Aldermen and councillors had the vapours over the amount of flesh exposed by the latest bathing costumes, [xix] but it was a bad time to be a wowser, because all over Australia standards were being eased.

Also in 1933, women in slacks might enter the nation’s House of Representatives, though not the Senate, [xx] but a few weeks later, Brisbane’s Lady Mayoress (Mrs. J. W. Greene), told The Queenslander that while she still disapproved of women drinking and smoking in public, her holiday attire would include slacks.

“As far as the question of modesty is concerned, I think slacks are a very modest form of attire, and it is how one behaves more than what one wears that counts.”

Asked whether her children liked the idea of her choice, the Lady Mayoress replied in the affirmative. “It is really just as much a matter of fashion for women as the wearing of plus fours is for men who play golf,” she added. [xxi]

In January 1934, a Barcaldine paper reported that in Canberra, Rev. Father Haydon was standing near the entrance to St. Christopher’s Catholic Church, Canberra, before conducting (such a man would never celebrate) a wedding. Seething with outrage, he stopped a girl who was in trousers and ordered her to “Go home and get properly dressed.” [xxii]

In country areas, men could only dream of leering and ogling at fresh young female bodies in trousers, but then in mid-1934, the drought broke. A west-bound train stopped at Kalgoorlie, and 50 members of the cast of J. C. Williamson’s musical comedy company’s show, The Girl Friend, stepped down: The Kalgoorlie Miner was excited:

Several of the young women created a sensation in Hannan street, by appearing in green, blue and grey slacks. [xxiii]

One might suspect that a clever publicist arranged that, but the window of opportunity would close, soon enough, as the unusual became the normal. Nine years later, under wartime conditions, the Prime Minister, John Curtin, allowed women Commonwealth employees to wear slacks to work “because of the difficulty in obtaining suitable stockings and the expense involved”. [xxiv]

Slowly, the opposition was wearing down. Your chronicler was a guest at the Royal Freshwater Bay Yacht Club in Perth in 1967, when a sailing colleague commented that a large majority of the people in the bar were “so far up themselves they can look out between their teeth to check the weather”. Your gentle chronicler politely and neutrally agreed that they were certainly not attired for sailing small craft on the Swan in winds gusting to 50 knots as we had been doing, but twenty years earlier, in 1947, what were the ladies wearing at the Royal Freshwater Bay Yacht Club? The Perth West Australian had the details:

Over 600 persons were present when the Lieutenant-Governor (Sir James Mitchell) officially opened the sailing season at the Royal Freshwater Bay Yacht Club on Saturday afternoon. Among the groups on the lawns and watching the regatta were representatives of the armed services and the commodores and flag officers of kindred clubs.

The frocking of the women was particularly varied and ranged from the bright slacks and linen suits favoured by the younger generation to neat tailor-mades and bright afternoon frocks, worn in some instances with wispy cocktail hats and long fur coats. [xxv]

Then in 1950, one of the last barriers fell, when women golfers at Royal Queensland were permitted to play in golfing slacks, on account of wet weather. [xxvi]

Now, all that is left is my friend Dorothy’s mystery of why schoolgirls are still required to wear skirts.



[i] The Sydney Gazette and New South Wales Advertiser, 16 June 1821, 3, http://trove.nla.gov.au/newspaper/article/2180325

[ii] The Sydney Gazette and New South Wales Advertiser, 27 March 1827, 3, http://trove.nla.gov.au/newspaper/article/2187932

[iii] The Australian, 3 February 1829, 3, http://trove.nla.gov.au/newspaper/article/36867060

[iv] The Australian, 30 January 1835, 2, http://trove.nla.gov.au/newspaper/article/42007890

[v] Empire (Sydney), 17 November 1851, 4, http://trove.nla.gov.au/newspaper/article/60125387

[vi] Ellen Clacy, A Lady’s Visit to the Gold Diggings, 136.

[vii] Emma Macpherson, My Experiences in Australia, 322 – 4.

[viii] Elizabeth Ramsay-Laye, Social Life and Manners in Australia, 106 – 7.

[ix] The Star (Ballarat), 27 December 1862, 2, http://trove.nla.gov.au/ndp/del/article/66329811

[x] Henry Lawson, The Drover’s Wife, in Short stories in prose and verse, c. 1894.

[xi] Henry Lawson, The Bush-Fire, in The Children of the Bush, 1902.

[xii] Miles Franklin, My Brilliant Career, 1901, 142.

[xiii] The Mercury (Hobart), 15 March 1928, 8, http://trove.nla.gov.au/ndp/del/article/24196300

[xiv] The Advertiser (Adelaide), 28 January 1930, 7, http://trove.nla.gov.au/ndp/del/article/73790854?#pstart7284530

[xv] Western Mail (Perth), 27 August 1931, 6, http://trove.nla.gov.au/ndp/del/article/38534770

[xvii] News (Adelaide), 25 March 1933, 6, http://trove.nla.gov.au/ndp/del/article/129274707

[xviii] The West Australian, 8 August 1933, 4, http://trove.nla.gov.au/newspaper/article/33326776

[xix] The Australian Women’s Weekly, 14 October 1933, 1, http://trove.nla.gov.au/ndp/del/article/48204095

[xx] Sydney Morning Herald, 23 November 1933, 10, http://trove.nla.gov.au/ndp/del/article/17026654

[xxi] The Queenslander, 7 December 1844, 34, http://trove.nla.gov.au/newspaper/article/23273831

[xxii] The Western Champion (Barcaldine) 13 January 1934, 6, http://trove.nla.gov.au/newspaper/article/79709575

[xxiv] Kalgoorlie Miner, 21 June 1943, 2, http://trove.nla.gov.au/ndp/del/article/95190561

[xxv] The West Australian (Perth), 3 November 1947, 16, http://trove.nla.gov.au/newspaper/article/46811519

[xxvi] Newcastle Morning Herald and Miners’ Advocate, 20 June 1950, 8, http://trove.nla.gov.au/newspaper/article/135304216

Saturday 16 July 2022

Preparing for disaster

 A bunch of friends and I have been looking at the gloomiest possible future: idiots letting pandemic take down our entire civilisation. If we talk about it, then probably it won't happen, and if it does, we may be part-way ready.

This thought came from reading Walter M. Miller’s science fiction novel, A Canticle for Leibowitz when I was much younger. Miller describes a monk, in a future Dark Age, laboriously illuminating a printed circuit diagram. Over the years, that image has stayed with me and it has led me to pose the following question a number of times: now, perhaps, it is more urgent to consider it.

Suppose you realise that a new Dark Ages is about to descend, and you want to write down a small set of key scientific ideas to preserve, ready for discovery at the end of the Dark Ages, to get science going again. You can engrave 1000 words on a special sheet of indestructible material. What facts, what ideas and what principles would you place on the sheet?

Later, I posed the question like this: you wish to engrave key information on indestructible plaques, the idea being to assist later people of wit to pass through their Renaissance faster by giving them the working tools of science. You only have a thousand plaques, each good for 160 characters: what would you say are the most important ideas to pass on?

Most lay respondents answer in terms of explaining how to make steam engines or how to harness nuclear energy, both hard to do in thirty words or less. The plaques may be separated, so it would not be safe to write "to be continued" on plaque 278 and to proceed with more detail on plaque 279. The bigger issue is that any technology, if sufficiently advanced will, as Arthur C. Clarke explained to us, seem like magic. That is why I set the size limit, because it helps us to zero in on the basics, the things which are easily grasped, but hard to find unless you know where to look.

Then I asked some fellow science buffs, and their suggestions took the form of a content heading rather than actual text, things like a recipe for soap starting with how to extract tallow and make lye, the recipe for gunpowder, principles of radio, how to generate and convey electricity, how to make transformers and AC motors, basic hydrodynamics, the periodic table, how to make steel, a map of the world, the scientific method, trigonometry and a later one how to set out a house square, or a basic primer on statics and dynamics. Others included principles like Mendelian inheritance, the second law of thermodynamics, and principles like evolution, the activity series of metals and the law of superposition in sediments.

Other more satisfying replies took the form of draft texts:

To see tiny animals: carefully grind two clear glass discs into convex shape. Polish these very finely. Look through these together at various distances. Fix in tube.

To copy writing. Carve wooden blocks into letter shape. Arrange into words. Apply ink. Apply paper. Metal can be cast into letter shapes — placed on drum which rolls on paper.

This was the form that I have always preferred, because it constrains you to think each idea through, to hone it to perfection. Each time, I have concluded that I would probably start with:

Wash your hands, boil your water. Many types of illness are caused by small living things, too small to see, that get into wounds and our digestive systems.

So why do I choose microbes for my first plaque? An awareness of this idea would save a great deal of suffering, because looking back, finding out about microbes has not been easy, and knowing what to do after we did find out about microbes was just as hard, but we knew where to look.

Saturday 2 July 2022

The world changes

An echidna, looking into things.
I am about to pitch my echidna book, which in its latest format is aimed at lay readers, but suitable for ages 11-up. One of the issues that engaged me was the use of technical language.

 As a small boy way back in the 1950s, I read a comic book about Tarzan in some sort of Lost World, where he had to fight off a Tyrannosaurus rex, and I can recall being charmed by the name.

So far as I can recall, nobody taught me to read, but I can recall being examined by a panel of teachers in late 1949 (they asked me who the Prime Minister was, and I got it wrong because Bob Menzies had just got in, and that gives me a date), but they were giving me passages to read.

Anyhow, I was one of those precocious readers, and long strings of text brought me only delight, though my playmates and age-peers complained of "big words", both in what they read, and when I spoke. Their communication was essentially monosyllabic, but I had enough smarts not to mention that monosyllabic and polysyllabic were of equal length. I survived.

Forty years later, working with kids at the Australian Museum, I realised that many six-year-olds were unfazed by Diplodocus, Muttaburrasaurus and Megalosaurus. These girls and boys were barely readers, yet they could handle these long words quite fearlessly, just as I had done.

Another thirty years on, last week, my playmates were far more junior to me, about 1/8th my age. Years 3 and 4 at a local school were in my hands as a Visiting Scientist, and as it happens, they recalled me from Talk Like a Pirate Day, 2019, when I taught them how to catch invertebrates in the waters of Manly Dam.

To explain, I am a volunteer in a CSIRO program, but where most of the volunteers talk about their work, I am a working naturalist, and I get my charges doing hands-on stuff. Because of the date,  I told them first about the ancient urban myth of the Manly Dam crocodile, and then we discussed Peter Pan, before I started  them all going "ARRR" in piratical voices.

Only then did I reveal that I thought the crocodile really was there, and that it was almost certainly the one that chased Captain Hook, and so it might be coming after us, thinking "Yummy! Pirates!", but it would eat me first, so they had to watch and shout a warning...

We then dissected why this was untrue, and they learned to think like scientists. After that, we worked like scientists, with nets, sieves, buckets and traps, but  they all recalled going "ARRR". This time I taught them that scientists don't say "I don't know", they say "more research is needed", and they will remember that as well.

Anyhow, these kids are now sparky 9- and 10-year-old true digital natives who were using clip-on microscopes to examine plant and animal material I had brought in, photographing their finds with iPads, selecting, cropping and captioning their best pics before uploading them to Google classroom, so they could show their parents what they did at school.

They switched effortlessly from one app to another, and that was when the answer to my technical language problem hit me: these kids, even the less bright ones, are very different from my cohort, so if I take my usual approach of explaining carefully, they know how to use the information environment to get any answers they may require. I have left the "big words" in.

I will be back there next month, showing some curious physics and engineering to stage 1 kids. I don't have a full plan as yet, but this milk-bottle turbine, seen here being tested by a granddaughter will be a part of it. I won't be teaching them to go "ARRR", and I have no idea yet what they will recall, three years from now, but getting wet feet will probably be a part of their memories.


The construction details appear above: the string and button give a frictionless swivel, the offset holes (try a 2mm drill) at the bottom deliver torque, and the holes in the lid make the bottle re-fill fast when it is pushed into a bucket of water. They also serve to let air in as the water rushes out. If you need more details, or other ideas like this, see my ebook and book, Playwiths.